Friday, January 28, 2011

Flapping Delicious

Hot Mama’s is so much more than a wing joint

Wings. Hear that word and birds, angels, Paul McCartney and food is pretty much what comes to everyone’s mind, right?

It seems chicken wings have been a staple of barbeques, Super Bowls and southern restaurants since time began, so it’s only fitting that a new joint in Eugene called Hot Mama’s Wings garnered hype before its doors even opened.

The place is all casual attire and low prices, and it boasts a family friendly environment as well as a bar area. You can get pick-up, delivery, eat in, whatever the hell you want — it doesn’t matter — as long as you’ve got a hankering for good, homemade food.



Michael Marzano — who co-owns the establishment with his wife, Angie — grew up in Eugene and met head chef and general manager Joel Poston at the Oregon Country Fair some years back. After life took Michael elsewhere for a while (namely Portland), he decided it was time to pay tribute to the town that raised him.

“[Eugene] is a great town,” Marzano said. “This is the best way I could think to give back for all it gave us.”

Not only was this refreshing to hear, it also gave insight into the deep commitment to community spirit that Hot Mama’s Wings hopes to foster. It’s not hard to pick up on the vibe that locality and togetherness are valued highly by the folks at Hot Mama’s, which is clearly evident in everything from their decoration to their ingredients.

“We’re trying to be as local as possible, staying inside Oregon for a good portion of our food, from the chicken to the produce,” said Poston, who is also responsible for creating the menu. But the food isn’t all that’s coming from a local source; the tabletops, seats, bar, appliances and, well, pretty much everything else, is either used or restored. The bar is made of a bowling alley wood, the seats are made of reclaimed timber from the Nike store, and the ceiling insulation is post-consumer recycled. Really, it’s about being as green as possible, a trait that’s hard to come by in restaurants. The Hot Mama's crew built the space sustainably and they plan to run it as such.

“What we do in the space is important,” co-owner Angie Marzano said, “so recycling, composting, energy efficient lights and heating, blow driers in the bathrooms to cut down on paper use… We all have an environmental ethic in how we live and how we want to do business, and we’re going to operate in that way.”

So now you know: Hot Mama’s Wings is more sustainable than a solar panel. Take note when you go in there. As for the food, well, it shouldn’t be all that difficult to notice. They’re going for a “casual neighborhood café” feel, with burgers, soups, sandwiches, salads, brunch, breakfast, beer on tap and, of course, chicken wings. Then there’s the kids menu, a piece of the restaurant industry that has always lacked style... until now.

“Peanut butter is salt, sugar, peanuts and oil, and that’s all it should be,” said Poston, who churns his own peanut butter for the organic PB&Js that the restaurant will offer.

“We want there to be healthy options for children so that families can come in and feed their kids right” Angie Marzano explained. “[Michael and I] have a young family, and there aren’t that many places like this where we can feed our kids, and so we want to encourage young families also to come in for that reason.”

The target price range for a two courser and some drinks for two people is under $30, with the kids menu holding strong at “five bucks or under,” so affordability is yet another value that the Hot Mama’s crew wears on its sleeve. It’s all about “leaving with a full belly for not a whole lot of money.”

On top of all this, they’re creating an atmosphere of togetherness that wings can only hope to provide standing alone: They have big screens to watch games, a bar and giant communal table (which is also made of a bowling alley scrap) as well as booths that allow folks to create their own atmosphere. All this, from a simple wing joint? I know: it rocks.

Hot Mama’s Wings opens Friday, Feb. 4 — just in time for Super Bowl Sunday — and is located at 420 W. 13th Ave.

Thursday, January 20, 2011

Headed Down to that Mission Bell

Amos Lee takes his new songs on the road

Knowing the perfect soundtrack to play while out on the road is important, but it’s just as important to find something calming while you rest your bones after a long drive. There are tunes that just sound like road trips, and intentional or otherwise, Amos Lee’s songs are the epitome. His voice is soft, his arrangements soothing; it all fits together like Tetris.



Lee hits the road Jan. 20, expecting to stop and calm the McKenzie for a night early on in the tour. He’ll be backing his fourth album, a poppy collection of his best country-folk anthems. Whether guest appearances on the tour will be a factor is unconfirmed, though Lee’s new full length, Mission Bell, does contain collaborations with the likes of Lucinda Williams, Willie Nelson and Sam Beam. By virtue of this fact, it’s probably a safe bet that the show won’t be the mosh pit of the century, but rather the perfect escape from the cold stress of this New Year.

Mission Bell is a far more personal work than Lee’s prior releases; it is a poignant, 12-track record that examines the re-evaluation of life, and where to go next.

“It’s pretty personal,” Lee says. “There’s always gonna be an outside perspective inspired by other sources, but certainly ‘Windows Rolled Down’ is autobiographical.” He goes on to say that “El Camino” and “Flower” also hold weight at a personal level. As for the rest of the tracks on Mission Bell: “It’s about half and half,” he says. “I just sort of wait for the tunes to come, and when they come I finish them up pretty quick. If they aren’t going anywhere, I put them aside, and if they don’t come back, it wasn’t meant to be.”

Lee has been up to more than just recording Mission Bell. CMT’s “Artists of the Year” special saw him crooning delicately alongside the Zac Brown Band, he’s got a Daytrotter session to his name and he made waves at Austin City Limits last year. Things seem to be looking up, and this tour should be the icing on the cool cake.

So whether it’s the rain and cold that’s got you down, or your legs are just tired from a hard day’s work, it shouldn’t be all that difficult to stand up in the face of Amos Lee.

Amos Lee, Vusi Mahlasela 8 pm Saturday, Jan. 22. McDonald Theatre. $22.50 adv., $25 door.

Saturday, January 1, 2011

Upcoming Events: “The Wall” Folk Style

So you thought you might like to go to the show?

Pink Floyd’s rock-opera masterpiece “The Wall” was—and still is—considered the stuff of legends, and since its release in 1979, it has guaranteed those four English geniuses a place in the world’s memory. Sure, “Dark Side of the Moon” and “Wish You Were Here” have their respective places at the forefront of any classic rock timeline, but ask almost anybody older than age 14 if they’ve ever heard “Another Brick in the Wall pt. 2” and it’s a safe bet that the answer will be yes.



The double album blends beauty with intensity for a potent outcome that has scarcely been matched to date. In its inexplicable delicacy, “The Wall” seems a perfect candidate for intricate reinvention, and that’s just the way a gaggle of Portland folk artists saw it:

First on the list are Jenny Conlee and Chris Funk, long time members of The Decemberists that have recently been working hard on their side project Black Prairie—along with fellow Decemberist Nate Query. Together, these two are incredibly talented and tight-knit musicians that truly know how bone-chilling folk music is supposed to sound. After all, there’s nothing like an accordion and six string combo to get a musical connection flowing.

Next up is a trio of dudes that clearly value the classics. Sneakin’ Out can often be found doing live covers of the Stones, Floyd and the Beatles. They’ve got it down well, putting their own rockin’ spin on things but still keeping the strings tightly wound. Strong folk undertones certainly grace Sneakin’ Out’s style, and so a nice balance can be kept while walking the fine line between folk rock and classic rock.

Twisted Whistle exemplifies bluegrass in such a raw, rootsy way that it’s not all that hard to get lost in the entire ensemble. They’re not afraid to get dancy—drawing from all kinds of different influences to create a potpourri of flavors—and a raw, high-energy sound is the result. The genre is such that each instrument has to be tight with those surrounding it in order to make the sound complete, but Twisted Whistle seem to have figured out a way to take perfection and make it rugged. Being rough around the edges, after all, could very well be considered the essence of bluegrass, and these guys just about sum it up.

(Dave Gerow, to whom the "Wall" project can be credited is both a member of Twisted Whistle and Sneakin' Out)

Multi-instrumentalist Lewi Longmire has served up his talent with the likes of, well, pretty much everyone; playing with Casey Neill, the Minus 5, the Freak Mountain Ramblers and others has aided him in garnering attention while developing a style all of his own. Since then, he’s been working on his own music with his own band, a group with deep set roots and a great sense of what Americana is all about—having tight, high energy musical fun.

The Water Tower Bucket Boys are a group of upstanding young men to whom music has become a great passion. With music degrees among them, a lifetime of musical experience, and a whole lot of talent, these dudes work perfectly together to show off a masterful grasp of arrangement and lyricism. These are some of the best buskers you could hope to hear, and when moved to the stage their harmonies and instrumentation only tend to sound better.



All of these awesome musicians have recently set to work pulling (and plucking) strings for a summer project that aims to recreate Pink Floyd’s masterpiece with a folk twist. Sitting down with Kenny Feinstein of Water Tower Bucket Boys—the project's organizer—I was enlightened as to his hopes and aspirations for the venture, along with a few of its inner workings.

Producing a small business card for a temporary wall manufacturer out of Portland, Feinstein told me that he would like for the entire thing to be as Floyd-esque as possible, while still keeping things unique and fresh. Thus, the breaking down of a temporary wall during the concert’s finale would be a significant moment for the show. Along with this, full versions of “Dark Side of the Moon” and the Beatles’ “Sgt. Pepper’s Lonely Hearts Club Band” can be expected as openers before the main event.

There is much work to be done before the summer dates—July 29 and (tentatively) August 13—and fundraising for the event is a must. Currently the total cost is forecast at $2800, including advertising, venue rental, rehearsal costs, and pay for the musicians involved. The eventual goal—as noted on the event’s Kickstarter—is $3800, though with few pledges to date the pace needs to be picked up in order for the project to continue.

This event, should it come to be, could quickly become one of the things for Portlanders to look forward to this summer. “The Wall,” “Dark Side of the Moon” and “Sgt. Peppers” are all incredible albums that have garnered mass followings respectively since their original releases, and so we’ll leave it in the hands of some great folkers to bring them back to the forefront of our minds once again.

Pink Floyd’s “The Wall” with a Folk Twist is set for July 29, 2011 at the Alberta Rose Theatre in Portland, with a second show tentatively set for August 13 at Pioneer Courthouse Square.

More information regarding the event, or to pledge HERE

www.watertowerbucketboys.com
www.sneakinout.com
www.lewilongmire.com
www.blackprairie.com
www.twistedwhistle.com