Coming In For A Landing

Originally hailing from Astoria, Blind Pilot is a duo of indie-folkers that took a quick launch into the spotlight. It was all of three years before the band began garnering serious attention, touring successfully and playing to larger crowds like the one at 2009’s Sasquatch! Music Festival in George, Washington. Since forming in 2005, Blind Pilot worked hard to formulate a sound that uniquely fit, yet still maintained the familiar characteristics of an escalating Northwest indie-folk scene. There’s clear influence from pioneers of the genre here, too — the Shins, the Shaky Hands, etc. — but Blind Pilot safeguards originality with inimitable songwriting, so the lines of comparison blur.



In the past, Blind Pilot tours have found form on bicycles, with band members pedaling their hipster legs down the West Coast from Washington to California. Now Blind Pilot is touring again to back the release of its second full-length album, We Are the Tide. Although it’s kind of nice to imagine a group of plaid-ridden Portlanders biking all the way down the coast, it’s a safe bet that the band won’t be repeating the experience. Blind Pilot has grown since the early days and now contains six members. The band has embraced the bright sound that comes out of a big group, so it’s a fair assumption when it comes to playing live, everything is primed and ready for action.

As local music expert Cody Dean puts it, “Blind Pilot aren’t just a band, they’re an idea, an idea that you should not be tied down with the limits of sound. They prove that when you put your emotions through the music, it comes out perfectly.”

Blind Pilot plays 8 pm Monday, Sept. 26, at WOW Hall; $8 adv., $13 door.

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That's Just How They Roll

Ever know one of those dudes who can play just about any instrument you throw at him? Meet Aaron Keim: multi-instrumentalist, scholar, teacher, craftsman and talented everything-man. He’s been playing with the indie-Americana group Boulder Acoustic Society for some time now, but that doesn’t mean he can’t find time to play solo on the side — be it ukelele, French horn or otherwise — and that’s all just part of doing what he loves. His style faces backward to traditions of old — dating back to the Great Depression and beyond — but he still pioneers new ways of playing, thinking and adoring old-time music: Clawhammer-style ukelele, for example, is not a common occurrence (Clawhammer is generally reserved as a banjo technique), but Keim said fuck it and did it anyway, because that’s just how he rolls.



James Hill, who’s been known to join Keim and the Boulder Acoustic Society, is of the same breed. His focus is hard bent away from ukelele, though, and he’s worked tirelessly to cultivate a following for the instrument that doesn’t see it typecast as a Hawaiian traditional. The versatility of Hill’s playing is fairly remarkable considering he’s pushed through since the early 2000s — a time when ukelele held next to no weight in popular or indie music culture. Hill is well respected in Hawaii, too, despite attempting to drag the uke away ever so slightly from its roots, and he’s been praised for his ability to blend in with ukelele culture even though he’s really just a talented-as-hell kid from Canada — not unlike Keim, that’s just how he rolls.

Aaron Keim & James Hill play 7:30 pm, Thursday, Sept. 15, at Agate Alley’s Laboratory; $13.50 adv., $15 door.

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