Tuesday, February 15, 2011

Weird Banjos and Furrowed Brows

If you’re a fan of modern-banjo country rock, you’ll be pleased to hear that Danny Barnes is rolling through town this week. Fans of unexpected covers will probably be pleased, too, though for haters of the above, it might behoove you to just stay home and get drunk — Barnes’ banjo style is strange (to say the least) and his songwriting is even stranger. While it’s clear that he has a comfortable grasp of both country and bluegrass traditions, he tries to peel away the layers of each genre and create an entirely new sound which, to put it bluntly, is really fucking weird. Though a step up from the likes of Big & Rich and Jason Aldean, Barnes’ big saving grace is his experience. From a young age he began garnering knowledge and skill with country, bluegrass, jazz, rock and even punk, and so a mélange of styles is able to shine through the country harmonies and banjo chunk.



Despite an array of solid testimonials from the likes of Sam Beam, Dave Matthews and Keller Williams, among others, I found myself with furrowed brow as I listened to his most recent release, Pizza Box. The album is redeemed mostly by its use of guest musicians and some of the more rockin’ riffs — beyond that I found it hard to imagine myself ever wanting to pick up Danny Barnes again. As previously stated, fans of this genre will certainly get a kick out of this one; to each his own, that’s what makes music great. As for the aforementioned covers: check out his (almost weirder) version of Beck’s “Loser” from 2003’s Dirt on the Angel. Beyond all this, I’ll leave it up to you to decide.

Danny Barnes plays with Betty & the Boy at 8:30 pm Friday, Feb. 11, at the Axe & Fiddle; $10.

EW 2/10

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